Thursday, December 18, 2014

Monday, December 15, 2014

Marsha Mehran

Anyone who remembers Marsha Mehran from her brief period as receptionist in FilmBase over a decade ago will have been deeply shocked by the circumstances of her sudden death in County Mayo in April this year. She was just thirty-six years old.

It was while Marsha was at FilmBase that she began the writing that would culminate in her debut novel, Pomegranate Soup (2005). An adaptation of this book was proposed by Matador Pictures in London with Kirsten Sheridan set to direct. Marsha's third novel, The Margaret Thatcher School of Beauty was published posthumously just two weeks ago.

An inquest was held in Castlebar in May and the verdict has been reported today

Sincere condolences to Marsha's father, mother and brother.

Tuesday, August 26, 2014

A bit of history...

Yesterday I was recalling the late Albert Reynolds's involvement with the film industry back in the day... The Film Production Industry in Ireland, Report to the Taoiseach, Mr. Albert Reynolds, T.D. [Dec. 1992].  Then today I remembered these excerpts from accounts for the Film Board's 'hiatus years', 1987-1992. 



I wonder what such a list would look like today?

Sunday, April 6, 2014

The Irish Frock & Tuxedo Awards (IFTAs)

I wasn't at last night's Irish Frock & Tuxedo Awards, although I have been an attendee in the past when asked to do jury duty on a few occasions (Best Short Frock, best new talent in a Frock or Tuxedo etc).

Nor did I see the televised (as live) version of the show on RTÉ last night. If Twitterland is any measure then it was not a success. At all. Much talk of inadequate stage management and a complete disregard among chattering attendees for what was happening on the stage.

This should not come as a surprise. It's been a feature of the awards ceremony that has been becoming more evident each year.

But don't forget, these are people who know how to be quiet on set. In fact not just quiet, but absolutely and completely silent. No rustling papers, no stepping on a creaky part of the stage, no whispering to the crew or cast member beside you. If a 2nd AD says "Quiet on set!" even the mightiest ego will be stopped in their tracks, silenced.

So, what's going on? I believe it's a demonstration of complete disrespect for and lack of faith in the whole IFTA process.  It's not about the presenters, award winners or fellow professionals, it's an unspoken determination to turn a charade into a knees-up and thumb the nose at the organisers.

If the event is to survive this year's nadir the 'Academy' will have to take ownership of the entire process and lay down some standards of transparency and accountability. Otherwise the IFTAs party is over.

(another view... Irish Times 7 April)



Thursday, March 27, 2014

Required reading...

Some required reading...


Irish Film and TV Review 2013.

Introduction
Roddy Flynn, Tony Tracy
The Concrete Manifestations of Emotional Eternity in Brendan Muldowney’s Love Eternal (2013)
Barry Monaghan
Pilgrim Hill (Gerard Barrett 2012)
Laura Canning 
The Last Days on Mars (Ruari Robinson, 2013)
Roddy Flynn
Amber, Screenworks and the production of culture
Dennis Murphy
I wanna destroy the passer by: Nihilism, Narcissism and Authority in Love/Hate Series Four
Angela Nagle
New Voices in Irish Experimental Cinema
Donal Foreman


And separately (but related)...
The dispensation for those foreign 'Artistes' eligible for payment from the new tax credit being brought in next year - Finance (No. 2) Act 2013 -  see Section 25 'Film Withholding Tax'